ATTENTION!These bands areNOTadjustable!They come in up to 12 different sizesto provide a precise, comfortable fit. Please go to theApple.com webpageHEREand click the black "Start your measurement" button to followthe sizing tutorial with a custommeasuring tool you can print out or various household items like a measuring tape or strip of paper to determine your exact size.Made from liquid silicone rubber, the Solo Loop features a unique, stretchable design with no clasps, buckles, or overlapping parts, so it’s ultracomfortable to wear and easy to slip on and off your wrist. Each band is specially treated with UV to give the band a silky, smooth finish. It’s also swimproof and sweatproof, so it can go just about anywhere you want to wear it.38mm, 40mm, 41mm, 42mm bands arecompatible with 38mm, 40mm, 41mm, 42mm case sizes.44mm, 45mm, 46mm, 49mm bands arecompatible with 44mm, 45mm, 46mm, 49mm case sizes.The Solo Loop and Braided Solo Loop bands are only compatible with Apple Watch SE, Apple Watch Series 4 or later, and Apple Watch Ultra or later.Shipping Note:Shipping to Alaska, Hawaii, and PO Boxes is not available for this itemWarranty:1 Year Apple Manufacturer Limited Warranty

Ferragamo Fall 2025: If You Like Pina Collages

L.L.Bean Cozy Camp Knit Logo Graphic Hoodie

Scarosso Leonardo suede boots Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights light pink calf suede moc stitching almond toe elasticated panelling slip-on style flat rubber sole branded leather insole leather lining Composition Outer: Calf Suede Lining: Calf Leather Sole: Rubber The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 22362104 Brand style ID: LEONARDAANKLPINSUED

Since the off-duty model look has gone the way of skinny jeans, how about the off-duty Pina Bausch dancer? Models dressed in handsome wool overcoats and nightgown-like silk gowns tread a runway carpeted in red rose petals, their bare feet slid into furry flip-flops at the Ferragamo show, which saw creative director Maximilian Davis continuing to explore the world of dance. (Last season was ballet.) The late German choreographer had no specific connection to Ferragamo, but her troupe’s style signatures – long, stick-straight hair, handsome coats and long, silky dresses – resonate still, and continue to inspire fashion designers. Davis zeroed in on the presence of flowers in her work – a mountain of red roses for “Der Fensterputzer;” a sea of pink carnations for “Nelken” – and scattered petal embroideries on dresses, or agglomerations of them on the ankle straps and toe boxes of mid-heeled shoes. You May Also Like “Ferragamo was very known for using flowers as prints as an embroidery,” he said backstage, noting that a troll through the archive also unearthed a lot of footwear with flower details. This rates as Davis’ smoothest Ferragamo show yet, hardly a barn burner, yet pleasing in its restrained palette of red, camel, white and black, and its devotion to enduring and “normal” clothing archetypes, as Bausch favored. And so there were knit tube dresses, double-breasted topcoats, satin skirts and sheer flapper dresses banded with shearling and lace for modesty. Swooping stoles and scarf-like necklines have been a recurring theme this season, which can probably be traced back to Matthieu Blazy’s hit Bottega Veneta collections. Here, they gave drama to simple gray sweaters and tweed coats. Sometimes sleeves on tailored garments gave the impression of stoles, or stoles with sleeves served as an alternative to a bolero. Capitalizing on the popularity of its Hug bag, Davis transposed its sagging buckle hardware onto leather blousons and suits, and as an offbeat, double-pouch belt bag. He figures Bausch would smile on its utilitarian intention.

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